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- *B 10 George Barret Junior Crater of Vesuvius Water colour Inscription on back samt on original passpertout 12 x 18 in.
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- *B11 Sir George Beaumont Kirklees (?) from the Terrace looking East 1792 Pencil and wash Inscription on back + dating: ’January, 1792’ 4 ¾ x 7 ½ in.
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- *B11 Sir George Beaumont Kirklees (?) from the Terrace looking East 1792 Pencil and wash Inscription on back + dating: ’January, 1792’ 4 ¾ x 7 ½ in.
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- *B9 George Barret Junior Classical Landscape Water colour 3 x 4 in.
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- B9 George Barret Junior, Classical Landscape,Water colour, 3 x 4 in.
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- B10 George Barret Junior, Crater of Vesuvius, Water colour, 12 x 18 in.
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- *B13 Paul Bodmer Woman Preparing Vegetables Oil on panel Signed left: ’Bodmer’ 5 x 7? in.
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- *B13 Paul Bodmer Woman Preparing Vegetables Oil on panel Signed left: ’Bodmer’ 5 x 7? in.
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- *B14 Paul Bodmer A Village Street in North Africa (?) Oil on panel Signed left:
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- *B14 Paul Bodmer A Village Street in North Africa (?) Oil on panel Signed left:
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- *B17 George A. Boyle A Footbridge over a Stream Oil on bræt Signed ’G. Boyle’ 6 ½ x 9 ¼ in.
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- *B17 George A. Boyle A Footbridge over a Stream Oil on bræt Signed ’G. Boyle’ 6 ½ x 9 ¼ in.
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- *C1 Sir David Young Cameron, R.A. Saint Germain l’Auxerreois Etching Signed pencil: ’D.Y. Cameron’ – R.362 ii 12 ½ x 6 ? in.
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- *C10 Vicomte de la Chapelle Mountain Landscape with a Hunter and Dand Sepia-colour Signed: ’Vte. de la Chapelle’ 5 ½ x 4 ¼ in.
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- *C14 Thomas Churchyard On the Wensum Water colour 4? x 3¾ in.
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- *C15 Thomas Churchyard A Farmhouse in the Fields Water colour 3¼ x 4? in.
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- *C18 G.A. Clemens Portrait of a Lady (kunstnerens kone?) 1897 Pencil Initials and dated:
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- *C2 Sir David Young Cameron, R.A. Nithsdale Etching Signed: ’D.Y. Cameron’ – R.435 iii 6 x 12 ½ in.
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- *C20 John Constable, R.A. (tilskrevet) View in the Lake District Pencil and Water colour 2½ x 5¾ in.
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- *C23 David Cox Junior Mountains and a Town by a Lake(Switzerland?Pencil and Water colour 4¾ x 8? in.
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- *C16 Thomas Churchyard View on the Wensum Water colour 4 ½ x 6 in.
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- C19 Charles Edward Conder Newquay 1909 Water colour Inscription on inner pass-partout: ’A happy 1909 to Miss Aldrich!’ 4 ? x 7 in.
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- *C25 Walter Crane Bamborough Castle 1877 Water colour Signed and dated:
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- *D6 William Dillon Howth 1857 Water colour ’Howth, Study Sept. 25 – 57’ + later added under p.: ’WILLIAM DILLON’ 4 ½ x 6 ½ in.
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- *D7 Emil Doeplar (den yngre) A Woodland Glade 1903 Gouache Signed and dated:
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- *D3A Henry Thomas Dawson The Wave Water colour Signed [Anagram HTD]awson 4 ½ x 10 in.
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- *D4 William Dillon Mountain Landscape Water colour Signed under passpartout: ’W. Dillon’ 4? x 6½ in.
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- *D4 William Dillon Mountain Landscape Water colour Signed under passpartout: ’W. Dillon’ 4? x 6½ in.
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- *D5 William Dillon A Castle 1853 Water colour Initials + dated ’1853, july 25th’ 4 ½ x 7 in.
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- *E4 Alfred Elmore, R.A. Standing Nude Woman Pencil Inscription: ’Academy Study. A. Elmore, R.A..’ + ’G2’ at top 9 x 5 ½ in.
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- *E2 William Ellis Newington Butts 1792 Hand-coloured engraving Printed title + ’Drawn & engraved by Wm Ellis’ +……. 5 x 7 ? in.
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- *E3 William Ellis Hackney 1791 Hand-coloured engraving See E2 5 x 7 ? in
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- *F9 William Edward Frost, R.A. The Sea Cave Water colour Study for the oilpainting at Russell Cotes Museum, Bournemouth D: 3 ¼ in
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- *G14 Thomas Girtins kreds Water colour Pencil inscribtion: ’T. GIRTIN’ 12 x 18 in
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- *G21 James J Guthrie (1874-1952) Landscape Etching Signed w. monogram – ’Pear Tree Press’ 7 ½ x 6 in
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- *G15 John Glover Landscape Composition Water colour 11? x 15 in
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- *G19 Frederick Landseer Griggs, R.A. Campden Wood 1918 Pencil on green paper Signed ’F.L.G. 1918’ 5 ¼ x 8 in
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- *H14 Leonard Raven Hill Proclaiming the Hunting Morning Pen and ink Signed: ’L. Raven Hill’ + Inscription under passepartout: ’Proclaiming the Hunting Morn…uly’ 6 ¾ x 9 ½ in
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- *H10, George Hayes, R.C.A. (of Manchester) Meadow with trees & horses Water colour ’Hayes’ 9 ¼ x 12 ½ in.
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- *H24 Lawrence Honsman Standing Woman with bowed Head behind a Pond Pen and ink 6 ½ x 4? in
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- *H26 Alfred William Hunt, R.W.S. Bilston Marsh, near Liverpool 1855 Oil Signed: ’Alfred W: Hunt 1855’ 9 x 14 in
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- *H27 Alfred William Hunt, R.W.S. View on the Fells Water colour Signed: ’A.W. Hunt’ 3 ¾ x 6 ¾ in
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- *H8 William Havell (kan andså være af David Cox – se David Loshaks note) Hastings: All Saints Church in the Distance 1812-13 Water colour sketch on Whatman paper Inscribtion: ’From an old portfolio belonging to W. Roberts, Esq. Edgbarton Bermingham (The great friend of David Cox)’ 7 x 8 ? in
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- *I2 Joseph Murray Ince Via Costa, Verona, with the Tomb of the Scaligers 1857 Water colour Signed: ’J.M. Ince 1857’ + Inscription on back: ’Via Costa Verona with the Tomb of the Scaligers’ 9 ½ x 6 ¼ in
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- *J3 Anna M. Jones Saint Peter Port(?) 1885 Water colour
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- *K5 Franz Josef Kobell Classical Landscape Pen and ink Has belonged to Lolo Williams Collection 6 ½ x 7 ? in
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- *K3 Sydney Kendrich A Town in Belgium (?) Oil on wood Signed: ’Sydney Kendrich’ 13 ½ x 9 ¼ in
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- *L15 Alphonse Legros G.F. Watts Etching Unsigned 7 ¼ x 5 ¼ in
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- *L14 Cecil Gordon Lawson A Pause in the Storm at Sunset 1867 Water colour and body colour Signed w. initials + dating under passpartout 2 ½ x 5 ? in
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- *L18 Felix Leroux A Church in France Oil on wood Signed: ’F. LEROUX’ 9 ¾ x 15 ¾ in
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- *L43 Dora Edwina Lunn (Mrs Hedges) Landscape with Bridge Water colour Signed with monogram 6 ¾ x 10 ¼ in
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- M10 Phil May Girl Dancing, with Gawpers 1894 Pen and ink on Pencil sketch Signed: ’Phil May 94’ 8 ¾ x 5 ? in
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- M11 Phil May A Blade with a Tankard of Beer 1895 Pen and ink on Pencil sketch Signed: ’Phil May 95’ 8 ¾ x 5 ? in
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- M12 Phil May Encounter with a Ragamuffin 1893 Pen and ink on Pencil sketch Signed: ’Phil May 93’ + Inscription: ’Study for Mr. Winthrop’ 8 ¾ x 5 ? in
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- M13 Phil May Customer & Waiter at a French Café Pen and ink on Pencil sketch Signed: ’Phil May + Inscription: ’To Mr. Winthrop’ 8 ¾ x 6 ¾ in
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- *M15 Charles Meryon (tilskrevet) Pont Neuf, Paris Pencil Unsigned – se DLs kartotek 3 x 5 in
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- *M17 Dr. Thomas Monro Landscape with a Lake charcoal and wash 4 ½ x 6 in
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- *M19 Thomas Sturge Moore The Death of the Dragon 1896 woodcut Signed w. initials – pencil: ’TSM’ 6 ¼ x 8 ½ in
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- *M20 Thomas Sturge Moore Pan Island woodcut Signed w. initials – pencil: ’TSM’ 7 ½ x 5 in
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- *M21 Thomas Sturge Moore Pan Mountain 1893 woodcut Signed w. initials – pencil: ’TSM’ 5 ½ x 5 ½ in
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- *M33 Mihaly Munkácsy Fortified Gateway to a Town Ca. 1895 Water colour Signed: ’Munkacsy’ !0 ¼ x 14 ½ in
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- *M4 Phil May Not Yet (Death & the Artist) Pen and ink Inscription: ’PHIL MAY HIS BOOK NOT YET’ 6 ¾ x 4 ½ in
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- *M4A Phil May Portrait of an Actor (Sir Herbert Beerbohm Tree?) Pencil Signed with Initials: ’P.M/’ 4 ¾ x 3 ? in
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- M6 Phil May Man & Woman Conversing 1895 Pen and ink on Pencil sketch Signed: ’Phil May 95’ 8 ¾ x 5 ? in
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- M8 Phil May Bashfull Man & Stout Lady 1895 Pen and ink on Pencil sketch Signed: ’Phil May 95’ + Inscription: ’To Mr. G. Winthrop’ 8 ¾ x 5 ? in
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- M9 Phil May At Nice: On the Promenade des Anglais Pen and ink on Pencil sketch Signed: ’Phil May’ + Inscription: ’Mr. Winthrop’ 8 ¾ x 6 ¾ in
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- *M16 Dr. Thomas Monro Trees on a Bank charcoal, ink and wash 5 ¾ x 8 ¼ in
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- *M22 Thomas Sturge Moore The Centaur 1899 Body colour Painted on top of sketch for ’The Centaur & the Bacchante’, Vale Press, 1899 2 ½ x 3 ½ in
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- *M23 Louis Moreau l’ainé (or circle of LM l’ainé) Landscape with Boys Killing a Snake Gouache 8 ¼ x 10 ¾ in
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- *M24 Thomas William Morley Over the Weald, Summer Afternoon, nr. Sevenoaks Water colour Signed: ’T.W. Morley’ + titelInscription on back 15 ½ x 23? in
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- *M3 John Martin Landscape with Mountain and Lake Pencil and wash Signed: ’J. Martin’ 5 ¾ x 8 ½ in
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- *M31 William Mulready, R.A. Seated Male Nude Black and red chalk 5 ¼ x 11 in
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- *P1 Samuel Palmer, R.W.S. The Herdsman’s Cottage Etching, Alexander 3 Signed initials w. pencil: ’SP’ 3 ? x 3 in
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- *P2 Samuel Palmer, R.W.S. The Lonely Tower Etching Nr. 11 of a series of 21 6 ½ x 9 ? in
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- *R1 W.R. (William Robertson, N.W.S.) Rocky Coast in Stormy Weather 1856 (?) Water colour Signed m. Initials: ’W.R.’ 4 ? x 6 ¾ in
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- *R12 Sir William Blake Richmond, R.A. Simeon Solomon 1890 Pencil Inscription – Signed: ’..by WBA April 1890’ 5 ? x 4 ? in
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- *R13 Sir William Blake Richmond, R.A. Our Elected Govenor 1890 Pencil Signed: ’Our Elected Govenor – WBR April 1890’ 6 ? x 4 ¼ in
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- *R21 Alexander Runciman Classical Ceremony Pencil Inscription: ’Study by Alexander Runciman for Decorations’ 5 ? x 6 ? in
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- *R10 Thomas Miles Richardson, Sen. Fast Castle Water colour Signed: ’T.M. Richardson’ – 7 ¼ x 10 ¾ in
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- *R11 Thomas Miles Richardson, Jun. A Ruined Cottage 1851 Water colour Signed: ’T.M. Richardson 1851’ 10 x 17 ½ in
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- *R18 Charles Rowbotham Éze, near Nice Water colour with added white body colour Inskr., Signed and dated: ’Éze, near Nice CR\13’ 8 x 17 in
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- *S12 Frederick James Shields, A.R.W.S. Matilda Booth (the artists wife) Pastel Signed: ’FS’ 18? x 14¼ in
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- *S13 Sir Frank Short, P.R.E., R.A. The Thames at Twickenham Aquatint Signed: ’Frank Short’ 8 ¼ x 11 ? in
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- *S14 Sir Frank Short, P.R.E., R.A. Nithsdale Mezzotint, Hardie 110 Signed m. Pencil: ’Frank Short’ 18 ½ x 13 in
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- *S15 Sir Frank Short, P.R.E., R.A. The Shadowed Valley Mezzotint, Hardie 128 Signed m. Pencil: ’Frank Short’ 14 ¼ x 19¼ in
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- *S3 Charles L. Saunders A Flood in the Highlands, North Sannose, Isle of Arron Water colour Signed: ’C.L. Saunders’ + Inscription under passpartout 14 ¾ x 23½ in
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- *S37 Edmund Joseph Sullivan So bury me by some sweet Garden-side (Illustration to Fitzgerald’s Omar Khayam) 1900-07 Pen and ink over Pencil Signed: Edmund J. Sullivan’ and dated 8 x 6 in
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- *S39 George Hillyard Swinstead Kerrera, Oban Boy, by Moonlight Water colour and gouache Inscr. and Signed: ’KERRERA OBAN BAY G. HILLYARD SWINSTEAD’ 6 ¾ x 9 ¾ in
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- *S1 Henri Saintin Hollyhoeks in a Garden Water colour with added white body colour Signed: Henri Saintin 20 ¾ x 14 in
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- *S24 Sir Stanley Spencer, R.A. David Gale 1929 (?) Pencil 13 ½ x 9 ¾ in
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- *S26 James Lawson Stewart Old Gedding Hall, Suffolk Water colour and body colour Signed m. monogram 9 ? x 13? in
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- *S40 Henry Sykes At Shay Wood (farmers cart on woodland road) Water colour Inscr. and Signed: ’at Shay Wood H Sykes’ 12 ½ x 10? in
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- *T7 William Turner of Oxford Old Bridge at Witney, Oxfordshire Pencil, pen and wash Inscr. on back: ’ Old Bridge at Witney’ 5 x 8 ½ in
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- *U6 John Clarkson Uren Cornish Coastal Scene 1875 Pencil and Water colour Signed and dated: ’J.C. UREN 1875’ 8 ? x 16 in
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- *U1 Unidentified artist, late 19th – early 20th c. Roses Water colour 10 x 9 ½ in
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- *V2 John Varley, O.W.S Windsor Castle 1831 Water colour and body colour, Signed and dated bagon: ’J. Varley 1831’ 3 ½ x 5 ¼ in
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- *V3 George Richard Vawser Near Matlock, Derbyshire Water colour Signed above drawing, hidden by passpertout, p.: ’G.R.Vawser Sur.’ + ’Derby’ 9 ¾ x 13 ¾ in
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- *W12 George Frederick Watts, O.M., R.A. Mary Jackson (Mrs. Herbert Fischer) Pencil Inscr.: ’Mary Jackson’. Has belonged to George Frederick Watts and Mrs Lillian Chapman 10 x 7 in
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- *W15 George Frederick Watts, O.M., R.A. Esau Black and white chalk Has belonged to Lillian Chapman 12 x 9 in
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- *W17 George Frederick Watts, O.M., R.A. Sketch for the figure of Zoroaster i n the Lincolns Inn fresco Justice; A Hemicycle of Lawgivers Pen and ink 3 ? x 2 ? in
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- *W19 George Frederick Watts, O.M., R.A. A Pair of Slippers Water colour Inscr. under passepartout: ’For Roland with love from Lily’ 3 ½ x 6 in
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- *W21 George Frederick Watts, O.M., R.A. Recto: Portrait of a Man
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- W25 George Frederick Watts, O.M., R.A. Studies for ’The Magdalena at the Foot of the Cross’ Pen, ink and wash Has belonged to Mrs Lillian Chapman 8 ½ x 7 ½ in
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- *W28 George Frederick Watts, O.M., R.A. Studies for ’Orpheus & Euridice’ Black and white chalk 9 ¼ x 7 in
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- *W29 George Frederick Watts, O.M., R.A. Studies for ’Paolo & Francesca’ Pen and ink 8 ¾ x 6 ¼ in
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- *W33 George Frederick Watts, O.M., R.A. Studies for a Selfportrait Pencil 13 x 10 in
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- *W38 George Frederick Watts, O.M., R.A. Satan (’Whence Comest Thou?’) Red chalk 10 ¾ x 8 ¾ in
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- *W22, George Frederick Watts, O.M., R.A. Long Mary, charcoal on brown paper, 14 ½ x 10 in
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- *W26,George Frederick Watts, O.M., R.A., Studies for ’Mischief’, Pen, ink and wash, 6 ¾ x 8 ¼ in
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- *W27 George Frederick Watts, O.M., R.A. Mountain Studies 1857. Gouache
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- *W34, George Frederick Watts, O.M., R.A. Countess Somers, from the Rear, charcoal, 14 ¾ x 12 in
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- W35, George Frederick Watts, O.M., R.A., Countess Somers, charcoal, 17 ? x 14¾ in
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- *W36, George Frederick Watts, O.M., R.A., The Spirit of Christianity , Photo by Hollyer, touched by Watts
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- *W3A Elijah Walton Evening in the Isle of Wight – Ryde Pier in the Distance 1878 Water coloor, 13 ½ x 19½ in
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- *W6, James Ward, R.A., Coast in Stormy Weather, Water colour-sketch, 5 x 8 ? in
David Loshaks Collection